Nicholas Pocock
British Painter,
1741-1821
English painter. After an apprenticeship in the Bristol shipbuilding yards of Richard Champion, Pocock began a career at sea in the mid-1760s. He was a practised and gifted amateur watercolourist (his earliest signed and dated watercolour is from 1762), and when in command of the Lloyd, one of Champion's merchantmen, he began to keep detailed logbooks illustrated with wash drawings (four at London, N. Mar. Mus.). In 1780 he gave up his sea career, married and sent his first oil painting to the Royal Academy. The picture arrived too late for exhibition, but Sir Joshua Reynolds wrote back, noting 'It is much beyond what I expected from a first essay in oil colours'. Pocock exhibited annually at the Academy between 1782 and 1812 and enjoyed a steady supply of commissions for oil paintings and watercolours, mostly of marine subject-matter. He produced a series of watercolour views of Bristol (stylistically close to Edward Dayes) in the 1780s, many of which were engraved, and of Iceland in 1791. Related Paintings of Nicholas Pocock :. | A British convoy in a gale during the american war of independence | The Battle of the Nile,1 August 1798 | Santodomingo | Woolwich Dockyard | This work of am exposing they five vessel as elbow bare that gora with Horatio Nelson and banskarriar | Related Artists: Benedetto LutiBenedetto Luti (17 November 1666 - 17 June 1724) was an Italian painter.
Luti was born in Florence. He moved to Rome in 1691 where he was patronized by Cosimo III de' Medici, Grand Duke of Tuscany, an enthusiast for the pastel portrait. Luti was one of the first artists to work in pastels as the final composition as opposed to initial studies for paintings or frescoes. He also worked in oils and painted frescoes for the Basilica di San Giovanni in Laterano.
Luti was also a successful art dealer and ran a school of drawing; among his pupils were Giovanni Domenico Piastrini, Giovanni Paolo Panini, Claude Arnulphy, Jean-Baptiste van Loo, William Kent. Vladimir Tatlin1885-1953,Ukrainian sculptor and painter. After a visit to Paris (1914), he became the leader of a group of Moscow artists who sought to apply engineering techniques to sculpture construction, a movement that developed into Constructivism. He pioneered the use of iron, glass, wood, and wire in nonrepresentational constructions. His Monument to the Third International, commissioned by the Soviet government, was one of the first buildings conceived entirely in abstract terms and was intended to be, at more than 1,300 ft (400 m), the world's tallest structure. A model was exhibited at the 1920 Soviet Congress, but the government disapproved of nonfigurative art and it was never built. After 1933 Tatlin worked largely as a stage designer. Nicola ForcellaItalian, 19th century
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